July 28, 2018 is the opening date of "Art Textil" at the time-honored Museum Sursilvan, Trun, curated by Mascha Mioni and Heiner Graafhuis.
The textile art of five of the world-wide best living textile artists is on display until September 8, 2018:
- Yoshiko Iwamoto Wada, Berkeley, USA
- Ana Lisa Hedstrom, San Francisco, USA
- Jorie Johnson, Kyoto, Japan
- Mary Jaeger, New York, USA
- Mascha Mioni, Meggen & Disla/Disentis, Switzerland
In her atelier Mascha Mioni shows her newest creations
Victory 1 to 3, oil on canvas, pigments, 104x190cm
Simply Red, oil on canvas, pigments, 180x180cm
Sculptures Lawrence McLaughlin
This report on the symposium and the exhibition at the China National Silk Museum, Hangzhou, shows an "Instal view of costumes and work by artists Candace Edgerley of USA, Catherine Ellis of USA, Mascha Mioni of Switzerland and Carter Smith of USA"
This group exhibition was shown for 6 months at the Jim Thompson Art Center, Bangkok
In the background, left, next to Mascha Mioni's Rooibos Teabag Dress, Ana Lisa Hedstrom's "our wide blue and black sea" and the white "A Knitted Object" by Ataphol Sujrapinyokul
Foto: Edith Cheung, Hong Kong
Curated by Kinor Jiang and Yoshiko Iwamoto Wada, Mascha Mioni was the only European showing her work together with 20 artists from South East Asia and beyond:
Keiko AMENOMORI-SCHMEISSER (Australia/Japan)
Junichi ARAI (Japan)
Jean CACISEDO (USA)
Frank CONNET (USA)
Ana Lisa HEDSTROM (USA)
Wen Yin HUANG (Taiwan)
Hiroshi ISHIZUKA (Japan)
Kinor JIANG (Hong Kong/China)
Christina KIM (USA)
Yee I LANN (Malaysia)
Rachel MEGINNES (USA)
Mascha MIONI (Switzerland)
Joan MORRIS ( USA)
Kambui OLUJIMI (USA)
Restu RATANANINGTYAS (Indonesia)
Jin-Sook SO (Sweden/ Korea)
Musey XU(China)
Guoxiang YUAN (Hong Kong/ China)
Korakrit ARUNANONDCHAIA (Thailand)
taphol SUJRAPINYOKUL (Thailand)
Ek THONGPRASERT (Thailand)
During October/November 2014 Mascha Mioni was artist in residence at the JinZe Arts Center, Shanghai, and displayed there her new creations in an exhibition Mascha Mioni spent more than two months in China and incorporated the manyfold impressions in a variety of ways in her work.
The discarded rice straw, that she found lying in the yard, was recycled into an eleven yards long ladder "Purpose of Life". The calligraphy lessons led to thirty paintings "Ink on Paper". With the red seal-ink she bought on the antique-/flea-market she 'signed' close to 5000 fingerprints on paper. The image of the cotton-pickers in the vast fields of Xinjiang and the raw cotton balls found in the nearby village, together with the old bricks lying around from the reconstruction work, resulted in the installation "20 Pyramids"; and the soot-blackened cotton cloth of the cook inspired to "Phoenix from the Ashes".